Sunday, December 3, 2023

First test of the new etching tank

I added some lines to the same plate I used the test the press, and bit it in the new tank. It worked fine. The next step is break out a fresh plate and try one for real.

Etching of loosely drawn figure in three quarter back view, looking out over river valley with bridge and mountains in background



Saturday, December 2, 2023

Etching tank

 Having gotten a larger etching press, I needed a larger etching tank. As far as I could tell, the official vertical etching tanks on offer were larger than I needed, expensive, and requiring a lot more ferric chloride to fill them up. My friend Chris Wirth tracked down this cereal container which is the right size, but I wanted to make a different top with a slot to hang the plate through. 

Translucent plastic cereal container containing dark brown liquid. Handwritten label says "Ferric Chloride 42 degrees Baume"



After making a couple of kludgy prototypes based on replicating the oval shape of the top, 


Two plexiglass oval shapes with slots on worktable. One has vinyl weather stripping glued onto edge, other has bent paper clips taped around the edge.


I ended up making a box to hold the tank with a slotted top and a little bridge to stick the end of the tape suspending the plate to. Next step is to try actually biting a plate - should accommodate plates up to about 9" x 12".


Wooden frame enclosing plastic container with slotted top and plexiglass bridge next to slot.

Thursday, November 30, 2023

Path into the woods

The last time I visited this place it was July and hot as Hades. Today was warmish for November but the sun was already to set behind the bare trees at 2:30 PM. I just had a short time to catch the light in the foreground, the shadow in the woods, and the beckoning light farther down the path.

Pen and wash drawing of path entering woods. The meadow and foliage in the foreground are sunlit, the path is in shadow, and more sunlight shows through the trees from a clearing farther down the path.


Thursday, November 23, 2023

Abandoned Getty station

 Today I am thankful that they didn't tear down this skeevy old abandoned Getty station before I had a chance to paint it again. I did a little watercolor sketch back in April and always wanted come back and do a larger oil painting. This what I was able to do in about two hours - the drawing and overall block in.


Bicycle with pochade box mounted instead of seat with umbrella attached to frame. Old gas station with red canopy in background and depicted on canvas panel in pochade box.

Oil painting of abandoned gas station with brown trees in background and asphalt road in foreground.


Monday, November 20, 2023

Happy birthday Benoit B Mandelbrot

 Today is the birthday of Benoit B Mandelbrot, the pioneering French mathematician who discovered fractals and changed forever the way we think about clouds, coastlines, and screen savers. This vision of self-similar cereal came to me in a dream, from which I awoke LMAO (my hypnopompic brain is easily amused).

Watercolor and ink drawing of a cereal box with a picture of an enlarged oat flake, with recursive self-similar flakelets emerging form its five sides. Large text across the top says "MandelbrOats." Smaller text across bottom says "The self-similar cereal."


Friday, November 17, 2023

Triptych

Three small plates, of which the bottom two were originally one till I cut it in half, printed together on the new etching press.

They make an enigmatic statement , no?


Etching of three plates printed together. The top plate depicts a mother applying sunscreen to her daughter's nose with with a huge wave breaking in the background. The two bottom plates show a woman and a man, each looking at a window or opening that extends across the two plates.

Etching press with three plates arranged on the bed.


Wednesday, November 15, 2023

New etching press, first print!

Just got my new etching press, and pulled a test print using a plate I had started at a workshop last spring. The drawing itself is no great shakes, but the print quality far exceeded my expectations given the number of variables (pressure, paper wetness, ink consistency, etc) any one of which can scuttle the whole operation.

The press is an RLV A3 size (12" x 17") bed, from South Africa. I've been gradually working up to this investment for some time, starting with drypoints on plexiglass printed by rubbing with a spoon or baren and then tiny etchings printed with an Open Press Project press. I need to get or make a few more things to actually etch larger pieces but then I should be turning out prints up to 8" or 9" wide.



Etching press on desk with plate and print on bed

Etching of loosely drawn figure in three quarter back view, looking out over river valley with bridge and mountains in background